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FOREIGN POLICY MAGAZINE FEATURES INDIA MINING STORY

Jason Mikian is a researcher with the Peace Research Institute in Oslo and, together with award-winning journalist Scott Carney, he has just published an article on Indian mining in Foreign Policy Magazine. Miklian and Carney’s story documents the shocking conditions forced upon local people in the name of progress and development in both Jharkhand and the neighbouring state of Chhattisgarh.The published article features a few of my photographs too.…

TRANSGENDER PHOTOGRAPHS PUBLISHED

Defined by their sexual-orientation, Aravanis are rarely accepted by India’s largely conservative society. As a consequence, many are tormented by the disapproving gaze of others and suffer a lonely existence from which they seldom find solace. The transgender gathering I photographed in the Tamil town of Koovagam is one such occasion when Aravanis are able to emerge and take centre-stage – if only for a few short days a year.…

DELHI’S MONKEY PROBLEM

The only means to avert the menace of rhesus monkeys appears to be securing the services of a langur monkey. And this is precisely the solution employed by British High Commissioner. I don’t make a habit of visiting the High Commission but a few years ago I found myself relaxing on the ample lawn of the residence when I noticed a short man approaching me. Strolling alongside him was a monkey tied to a leash. As the man got closer, I realised that his companion was almost the same height as he was. This monkey was very different from the small rhesus variety that I had seen menacing my neighbourhood. Instead of the ubiquitous limp and incessant scratching that seem to be the curse of all rhesus monkeys, this creature walked with an elegant gait and wore a beautiful grey fur coat that appeared entirely fitting given the opulent surroundings.…

THE REALITY OF MINING IN INDIA

According to Sahay then, I should have come across a lot of enthusiasm and hope among this population who either directly or indirectly [depend] on the Bokaro Steel Plant for a living. But I didn’t. Instead I photographed a poor and dejected community, eking out a living on the fringes of a mine that employes few local residents. I saw women collecting coal as lumps of it toppled from the huge trucks exiting the mines. Close by, families living in grotty hovels, were selling plastic bottles of petrol to passing motor vehicles. This was trickle down economics at work, honouring those who’ve been forced to sacrifice their land in the name of growth.…

PHOTOGRAPHING INDIA’S FOG

However I have to admit to suffering a tinge of frustration because, as all photographers know, fog can make for dramatic pictures. This photograph of rickshaw drivers grappling with the cold was taken before dawn while I waited for my Delhi-bound train to arrive at Moradabad station in northern India. I’d spent the previous week photographing a polio vaccination campaign for UNICEF and though this picture had nothing to do with the commissioned work, it was perhaps the most memorable image that I captured on that trip. As is so often the case in photography, it was the incidental moment, neither planned nor anticipated that yielded the most significant result.…

THE JAIPUR LITERATURE FESTIVAL

Jaipur’s fifth annual literature festival gets underway today. According to festival director and author William Dalrymple, writing in last Sunday’s Observer newspaper, the gathering is distinctive for it’s egalitarian spirit. Still in it’s infancy, but already attracting a long list of literary luminaries, Jaipur has apparently so far avoided the need for VIP enclosures and green rooms. Dalrymple proudly recalls the assimilation of Bollywood celebrities into the genial mood of previous Jaipur literature festivals. Having attended a few of book launches myself, I fully appreciate that maintaining this atmosphere of innocent bonhomie will be a difficult task. When I took this portrait of him just before Christmas, Dalrymple was already wearing his director’s hat and eagerly anticipating the literary excitement.…

ILLUSTRATING A TRAGIC STORY

Ultimately, the Financial Times magazine editors considered the significance of the young couple’s relationship so fundamental to the story that their affection for one another had to presented visually. Consequently they chose to reproduce a number of “collect photos” from Gaurav’s camera and these formed the basis of the opening spread. As much as I would have liked my photographs to have appeared more prominently in the feature I was entirely sympathetic to the editors decision to place them behind Gaurav’s blurred snapshots. The relevance of these photographs lies not in their quality but in the awkward depiction of an innocent and apparently unexceptional relationship that is so difficult to reconcile with the horror of subsequent events.…

PHOTOGRAPHING THE ASIAN TSUNAMI

Exactly five years ago, on the morning of December 26th 2004, I took a dawn flight to Chennai. I was looking forward to a bit of relaxation and had packed my swimming gear together with a couple of books and some Christmas gifts for the friends with whom I would be staying. It was two hours later, while disembarking with my camera bag that David asked why I had bothered to bring along all of my equipment. Surely, he wondered, a holiday wasn’t really a holiday if accompanied by the paraphernalia of work. As I explained, “what if something were to happen?” David didn’t seem particularly convinced by my argument.…